Famous country music alley in Nashville gets facelift

By Taylor Sims

nht863@mocs.utc.edu

NASHVILLE, Tenn. (UTC/The Loop) — Country music’s most famous alley — a gritty monument to the earthy sounds all around it — is getting a facelift.

The block-long alley is between the historic Ryman Auditorium and Nashville’s raucous honky-tonks, where well-fortified patrons are urged to “holler and swaller.”

Now it’s a place often littered with gray trash cans and cardboard boxes piled atop each other. Grand Ole Opry performers used to walk out the Opry’s side door, cross the alley and slip in the back door at Tootsie’s Orchid Lounge, Nashville’s legendary honky -tonk.

“It’s the most famous 37 steps in that alley,” says Jim “The Governor” Hill, Tootsie’s general manager. “Tootsie’s was the ‘green room’ for the Ryman.”

The alley work, which will cost the city an estimated $300,000, is expected to take up to six months.

“The alley is a Nashville treasure,” said Veronica Frazier with the Metro Public Works Department. “You can walk in the footsteps where Hank (Williams) did.”

A local group has led the makeover effort, which will include work on storm and sanitary sewers, electrical conduits and refinishing the surface.

“We want to celebrate the historical, cultural feel of the alley,” said Shawn Henry, an attorney who is chairman of the makeover group. “We’re mindful to upgrade it but want it to stay vibrant.”

The 119-year-old Ryman was home to the Opry from 1943 to 1974, when it moved to a new location east of downtown. Opry shows are still performed at the Ryman during the winter.

Today, a dozen or so other honky-tonks have joined Tootsie’s on that side of the alley, continuing Nashville’s music vibe with blazing fiddles, country weepers and frosty beer.

Hill said the rear of his honky-tonk is still popular because of the alley and what’s nearby.

“A lot of people sit at the back patio and just look at the Ryman.”

Bill Stasyszen of Shelbyville, Ky., who was strolling down the alley with his wife before ducking into one of the bars for some two-steppin,’ was delighted to hear the alley is getting spruced up.

“Well, it needs it,” he said. “I hope they don’t take the charm away.”

 

Copyright 2011 The Associated Press.

 

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Autographed Beatles album to be auctioned in Knoxville

By Cooper Hardison

nzq225@mocs.utc.edu

KNOXVILLE, Tenn. (UTC/Loop) — Next month in Knoxville, alongside items

including a few vintage toys, a stamp collection and a photograph of Minnie Pearl, a

piece of rock ‘n’ roll history will be sold at auction.

 

It is a copy of Meet the Beatles, autographed by each of the Fab Four for the hotel

doctor who treated George Harrison’s strep throat the night before their Feb. 9, 1964,

appearance on the Ed Sullivan Show, the auction house says.

 

Case Antiques Auctions & Appraisals says the album, estimated to bring $40,000 to

$45,000, has been in the family of Dr. Jules Gordon.

 

The inscription on the back cover of the album reads, “To ‘DOC GORDON’ thanks for

the JABS from George Harrison,” along with the signatures of Paul McCartney, John Lennon and Ringo Starr.

 

The website for the Oct. 1 auction is http://caseantiques.com/ .

 

Copyright 2011 The Associated Press.

 

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Country music exhibit to explore Bakersfield Sound

By: Anna Grace Jackson

agjackson42@gmail.com

NASHVILLE, Tenn. (UTC/theloop) — The Country Music Hall of Fame and Museum’s new exhibition next year will explore the roots and heyday of the Bakersfield Sound, a music style personified by the careers of Buck Owens and Merle Haggard.

During the Great Depression, the southern California town attracted a mass migration of Dust Bowl refugees, including the families of Owens and Haggard. The exhibit shows how Owens and Haggard gave country music a harder, rockabilly edge in the nightclub culture of Bakersfield and crafted songs that were tailor-made for radio.

The exhibit will also focus on the Bakersfield music businesses that evolved in the 1960s, and the city’s musical architects, including Bill Woods and Capitol Records producer Ken Nelson.

The exhibit will open in March 2012 and run through December 2013.

Copyright 2011 The Associated Press.

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Music Industry Fighting Online Piracy

By: Candice Strickland

 

NASHVILLE, Tenn. (UTC/AP) — Music industry officials are meeting this week in Nashville to discuss ways to combat online music piracy.

Some 70 people are attending sessions organized by DDEX, Digital Data Exchange, to develop ways for copyright tracking and enforcement and study standards in the digital supply chain.

Attending are representatives of international digital retailers, digital distributors and aggregators, record companies, music rights societies, publishers and various technical service providers.

The weeklong event is designed to suggest how Nashville industry representatives can make their digital business more efficient, save costs and increase revenues.

“Every industry has standards which are voluntary and free to use and DDEX provides these for the music industry,” DDEX chairman Kirit Joshi said. “We also do a lot to encourage implementations so the industry as a whole can reap the benefits of high levels of automation based on those standards.”

According to the Recording Industry Association of America, music piracy costs the U.S. economy $12.5 billion annually and is responsible for 70,000 lost jobs.

Just last week, record labels and others announced they have created a program to alert Internet subscribers when their accounts are used to access songs and other content considered unauthorized.

DDEX, a nonprofit group whose top executives are in London and New York City, formed in 2006 to begin developing the standards required to help the expansion of the legal music industry.

It has more than 60 members including record companies, publishers and digital retailers. They develop standards to guide the development of online music supply.

Expected to be represented are Google, Apple, Nokia, Napster, Sony Music, the National Academy of Recording Arts and Sciences and others.

The meeting at the Gordon E. Inman Conference Center at Belmont University on Nashville’s Music Row is open to anyone who owns, produces or sells music in the digital environment.

Nashville is an international center for music writing and recording, especially country music.

 

Copyright 2011 The Associated Press.

 

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Riverbend Books Star Acts, Intending to Make 30th Anniversary a Hit

BY Jennifer Pukenas

Jennifer-Pukenas@mocs.utc.edu

CHATTANOOGA, Tenn. (UTC/TheLoop)-Round up your plaid shirts and cowboy boots, because it’s country time in Chattanooga, Tennessee.

In less than two months it will be time for Riverbend, Chattanooga’s annual concert event. This weeklong event is always the buzz for the first half of the summer.

Miranda Lambert, Riverbend's Most Famous Act for 2011

Over the past few weeks, the acts for Riverbend have been announced. Some of the main performers include country stars Miranda Lambert, Alan Jackson and Kellie Pickler. The other big name acts include Brian McKnight, Christian group Casting Crowns, and 70’s sensation, The Beach Boys. Riverbend has decided to go all out this year, as it is their 30th Anniversary.

Miranda Lambert is setting the record as the highest-paid act Riverbend has ever seen. Chip Baker, executive director of Friends of the Festival, the producer of Riverbend, said in an interview with the Chattanooga Times Free Press that he will not discuss how much Lambert will be paid.

“I’m not going to give you the number, but this is the biggest money we’ve put out there,” Baker said. “We booked her because it is our 30th anniversary.”

Big money, indeed. Although Baker would not discuss the disclosed amount, Lambert’s payroll finished in front of three of the biggest performers Riverbend has ever seen, including Kid Rock, Hank Williams Jr. and Sheryl Crow.

Many University of Tennessee at Chattanooga students staying here for the summer will be attending Riverbend for the first time. Megan Roberson, one of these students, is really looking forward to her first trip.

“I always hear other students talking about it, but I haven’t gotten to experience it yet,” Roberson said. “I can’t wait to be there and see all the hype for myself.” Click Here to Listen to Other Comments by Roberson

This year, Riverbend will begin on Friday, June 10th and last until June 18th.  Riverbend draws in over 650,000 fans each year.

Charlie Christiansen, another UTC student, is upset about having to miss Riverbend this year for work.

“I’m gonna be at home in Memphis working,” Christiansen said. “All my friends are going to be there.” Click Here to Listen to the Rest of Christiansen’s Comment

Nick Friend, a Senior from New Orleans, says that he loves Riverbend and that the smallness of Riverbend’s atmosphere is what makes it so great and he wishes he could be in attendance.

But whether you are attending this year or not, Riverbend has made sure that their 30th anniversary will be an event to remember.

 

Sources:

-http://www.timesfreepress.com/news/2010/dec/16/miranda-lambert-at-riverbend/

 

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Concerning Lions Make a Splash In Chattanooga’s Indie Music Scene

By Grahm Long

Grahm-long@mocs.utc.edu

CHATTANOOGA, Tenn. (UTC/The Loop) — From their polished vocals to their seamless integration of jazz and folk rock, The Concerning Lions are emerging as a bright spot in Chattanooga’s independent rock scene.

As their Facebook biography page states, “Split between Nashville and Chattanooga, Concerning Lions is a quintet divided geographically, but united by writing songs they enjoy performing together.”

The group’s formation goes back to a childhood bond between leader singer and UTC student Brian Beise and multi-instrumentalist Jonathan Durham.

After a couple of years playing various gigs in downtown Chattanooga with Beise, Durham discovered lead guitarist Chase Gamble and banjoist Daniel Hallum. Through Gamble, the band acquired drummer and fellow UTC student, Nathan Miller.

The fall of 2008 marked the quintet’s debut at The North Chatt Cat, a bar located on Frazier Avenue in the downtown area. Click here to listen how the Concerning Lions got their big break.

The North Chatt Cat, located on 346 Frazier Avenue

While the band generated buzz among music enthusiasts in the region, it also captured the attention of the Sodium Glow record company in Nashville, TN.

David Terry, one of the producers at Sodium Glow, had previously worked with Beise under an internship during high school. However, it was Durham’s connection to Terry that sent them to Nashville.

The meeting with Terry produced the band’s five song EP album titled A Movement Back and Forth, which released in the fall of 2009.

“On the first track of Concerning Lions’ debut EP, A Movement Back and Forth, singer Brian Beise implores: ‘Meet us,’” says Paste Magazine columnist, Rachel Bailey. “Canon” offers a salutation of acoustic strumming and stretchy electric yawns, punctuated by banjo interjections and the occasional tambourine jingle, suggesting the Tennessee mountains from whence these Lions hail.”

The band’s first time in the studio was not only a rewarding experience but also a learning one as well.

“Recording the drums in the studio was interesting, sometimes your hands and feet are not on the beat they should be, but it was good – it made me a better drummer,” says Miller. “It allowed me to listen to things that I never knew that I did before, either good or bad. It was pretty tough at times, because I had to redo things over and over again.”

The Concerning Lions: Pictured from left to right - lead guitarist Chase Gamble, drummer Nathan Miller, banjoist Daniel Hallum, multi-instrumentalist Jonathan Durham, and lead singer Brian Biese.

Beise says the process of composing music has made the band “more intentional about exploring and listening to music.” Brian Biese tells how the Concerning Lions made him a better musician

Recently, the Concerning Lions released a live-in-studio, full length, sophomore album titled The Winter Set.

“Every time we get to do a gig, I try to remember that standing up in front of people and playing songs is kind of a ridiculous thing to do,” says Beise. “And to ask them to take it seriously and clap at the end of the song, it’s obscene in a lot of ways and sort of audacious, so you have to be really grateful.”

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Louisiana Rapper Arrested in Tennessee

By Bryson Simpson

Bryson-Simpson@mocs.utc.edu

NASHVILLE Tenn. (AP) — Tennessee Highway Patrol officers arrested Louisiana rapper Webster Gradney Jr., who goes by “Webbie,” for drug possession and tampering with evidence after returning from a show in Louisville, Ky.

The police agency said Wednesday that the 25-year-old Gradney was a passenger in a rental car that was stopped Monday on Interstate 65 south of Nashville in Marshall County. Gradney, of Baton Rouge, was found with $13,000 and 2 ounces of marijuana.

 

Gradney was taken to jail and made bail on a $21,000 bond. There was no attorney listed for Gradney at the Marshall County Jail on Wednesday.

Another passenger, 22-year-old Michael Abbott, also of Baton Rouge, was charged with intent of going armed and the driver, 34-year-old Derric Watson, of Zachary, La., was charged with driving on a suspended license

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Miley Says All Is Fine

By: Shawna O’Neal

shawna-oneal@mocs.utc.edu

LOS ANGELES (AP) — Miley Cyrus says she feels more at ease heading out on an international tour now that things are fine on the home front.

Earlier this year, her parents, Billy Ray and Tish Cyrus, were getting a divorce, and her father was critical of his daughter’s behavior. But the

Miley and her parents

The Cyrus Family

Cyruses recently called off their divorce and the family is spending time together.

“I think it’s good, especially when you go on the road. You have to make sure everyone is happy before you start traveling, you’re away. My family is good. They are stoked for tour. As long as I’m happy they are happy,” Cyrus said in an interview on Thursday.

The former “Hannah Montana” star is leaving for South America and Australia on April 27 for her Gypsy Heart Tour. It will be the first time Cyrus, whose most recent album is titled “Can’t Be Tamed,” has gone to South America, and she’s excited — even though she won’t be able to communicate with her fans in their language.

“I speak zero Spanish. I actually failed Spanish so I will have someone with me making sure I can get through my way,” she said.

She recently released one of the album’s songs, “Every Rose Has Its Thorn,” in Australia, and said she’s excited to sing the Poison cover (which featured Bret Michaels) there live.

But she won’t be releasing that song in the United States, and right now, she has no plans to tour in her native country either.

“I just think right now America has gotten to a place where I don’t know if they want me to tour or not. Right now I just want to go to the places where I am getting the most love and Australia and South America have done that for me,” she said. “Kind of going to the places where I get the most love. Don’t want to go anywhere where I don’t feel completely comfortable with it.”

Copyright 2011 The Associated Press.

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Composing Music at UTC

By Sarah Lord

CHATTANOOGA, Tenn. (UTC/TheLoop) –UTC may be excellent training ground for future successful music composers.

 

The annual Campus Composers Concert at Roland Hayes Concert Hall debuted original arrangements from ten students in Dr. Jonathan McNair’s Composition class and one student from the Center for Creative Arts high school.

Among them, Casey Edwards won the Arnold Salop Southeastern Composers League Competition with his piece “The Circus Macabre.”

“What stood out to me the most was the incredible amount of amazing composers that we have here at UTC,” Casey “Skyy” Bigford, McMinnville junior, said when asked about the concert. “The composers here are great, people need to realize how great they are.”

Students also featured were Morgan Thomas, Sarah Bolton, Jesse Williams, John Rose, Erin Kinney, Patrick Wood, Nathan King, Brandon Terill, and T.J. Carson (CCA). The concert contained arrangements ranging from orchestral instrumentation, to piano, and even to a fusion band with electric guitars.

So what is it like to be a composer and where do you begin? You don’t have to be a music major to enroll in Dr. McNair’s Composition class, all you have to do is to start.  “I always had these ideas in my head but I could never get them out,” Skyy said. “I just started by taking the class.”

Often, starting is the hardest part of composing. Dr. McNair said the most terrifying thing to a composer is a blank sheet of staff paper. He urges his students to learn by listening attentively to music, while also reading the accompanying sheet music.

Skyy said he drew inspiration for his composition “Silhouettes of Circumstance” from a scene in the movie “Saving Private Ryan”, which depicted Tom Hanks’ character missing his wife.  He felt as if the music supplied in the movie did not portray the right emotion.

“I want them to learn to be self-starters, and I want them to learn to develop the self-discipline of setting up a regular time to work otherwise it won’t happen,” Dr. McNair said when it came to inspiration. He said inspiration wouldn’t come without perspiration.

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‘American Idol’ sends another finalist home

LOS ANGELES (AP) — “American Idol” viewers are saying adios to Karen Rodriguez.

The bubbly, bilingual 21-year-old wannabe diva from New York, who crooned Taylor Dayne’s “Love Will Lead You Back” in English and Spanish on the Fox talent competition Wednesday, was revealed Thursday to have received the fewest viewer votes. The judges decided against saving her following a last-chance performance of Mariah Carey’s “Hero.”

“It just felt great to at least have that one chance,” Rodriguez said after her swan song.

Haley Reinhart, the 20-year-old college student from Wheeling, Ill., who belted out Whitney Houston’s “I’m Your Baby Tonight” while smudging her lipstick, and Naima Adedapo, the 26-year-old dance instructor from Milwaukee who delivered a pitchy rendition of Tina Turner’s “What’s Love Got to Do with It,” joined Rodriguez as the bottom three vote-getters.

Before the elimination, the top 12 finalists plowed through a mash-up of Steppenwolf’s “Born to Be Wild” and Lady Gaga’s “Born This Way.”

The Black Eyed Peas later dedicated a performance of “Just Can’t Get Enough” to their “friends in Japan,” and last year’s “Idol” winner Lee DeWyze offered advice to this season’s brood after singing “Beautiful Like You.”

“Just remember why you tried out in the first place,” DeWyze told the contestants. “At the end of the of the day, no matter when you leave, you still love music, and you’re gonna keep doing it. You guys are fine no matter what happens.”

The other remaining finalists are Casey Abrams, 20, of Idyllwild, Calif.; Lauren Alaina, 16, of Rossville, Ga.; James Durbin, 22, of Santa Cruz, Calif.; Stefano Langone, 21, of Kent, Wash.; Jacob Lusk, 23, of Compton, Calif.; Scotty McCreery, 17, of Garner, N.C.; Paul McDonald, 26, of Nashville, Tenn.; Thia Megia, 16, of Mountain House, Calif.; and Pia Toscano, 22, of Howard Beach, N.Y.

 

Copyright 2011 The Associated Press.

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